101: Moonlights & Similar
102: Derbys & Similar
103: Mushrooms & Similar
104: DMX Color Changers
105: DMX Effects (Not Scanners)
106: DMX Scanners, Flat Mirror
107: DMX Scanners, Barrel Mirror
108: DMX Moving Heads
109: Lasers
110: Center Lights (Part 1)
111: LED Parts & Accessories
112: Up Lighting
113: Liquid Projectors & Similar
114: LED Spots & Floods
115: LED Effects
116: Police Beacons
117: Mirror Balls & Motors
118: Black Lights & Accessories
119: Pinspots & Chasing spots
120: PAR 38 Cans
121: PAR 46, 56, 64 Cans
122: PAR can reflectors, gel frames, & cords
123: Ellipsoidals & Fresnels
124: Followspots
125: Strobe Lights
126: Strobe Controllers
127: Fog Machines, Haze Machines & Fluid
128: Bubble Machines & Fluid
129: Snow & Foam Machines & Fluid
130: Color Gels
131: Clamps
132: Controllers, Non DMX Switch Panels
133: Chase Controllers (Not DMX)
134: DMX Controllers (Up To $200)
135: DMX Controllers ($200 & Up)
136: DMX Dimmer & Relay Packs
137: Cables (DMX & Analog)
138: Flamers & Novelty Lights
139: Lighting Packages
140: DJ Truss Packs, Tripods, Crank Stands
141: Truss, Triangular
142: Truss Bags, Covers
143: Truss Connectors
144: Truss Tables & Chairs
145: Lights For Mixers, Racks, TT
146: Bulbs, 2 Pin (64514, BRL, EHJ...)
147: Bulbs, MR (Mini Reflector)
148: Bulbs, PAR 36, 46, 56, 64
149: Bulbs For PAR Can Reflectors
150: Bulbs, Linear (EHM, FCL, R800)
151: Bulbs, Screw Base Floods
152: Bulbs, HTI, MSD, ARC
153: Bulbs For Strobes
154: Bulbs (Misc)
155: Sockets
156: Fuses
160: Amp Racks
161: DJ Work Stations
162: CD Cases
165: Karaoke Equipment
166: Truss, Triangle 6"
167: Truss, Triangle 8.5"
168: Truss, Triangle 8.75"
169: Truss, Triangle 11" Steel
170: Truss, Triangle 12" .08
171: Truss, Triangle 12" Steel
172: Truss, Triangle 16"
174: Truss, Square 6"
175: Truss, Square 4"
176: Truss, Square 8.75"
177: Truss, Square 11" Steel
178: Truss, Square 12" .08
179: Truss, Square 8.5"
180: Truss, Square 16" .08
181: Truss, Square 12" Steel
182: Truss, Black/White
183: Truss, Ibeam 8.75"
185: Truss, Ibeam 12"
187: Truss, Ibeam 16"
190: Truss Pipes
195: Truss Lifts, Crank Stands
199: Stages
201: Amplifiers
202: Mixers
203: EQ, Crossovers, Effects
204: CD Players
205: Turntable, Cassette, Tuners
206: Mic's, Wired
207: Mic's, Wireless
208: Headphones (Some With Mic's)
210: Audio Packages
401: Full Range Cabinets With Single 10" or 8"
402: Full Range Cabinets With Single 12"
403: Full Range Cabinets With Single 15"
404: Full Range Cabinets With Single 18"
405: Full Range Cabinets With Dual 15"
406: Sub-Woofer Cabinets With 15"
407: Sub-Woofer Cabinets With 18"
408: Horn & Tweeter Cabinets
409: Stage Monitors
410: Empty Speaker Cabinets
411: Woofers
413: Horns & Drivers
414: Tweeters
415: Crossovers
416: Terminal Plates
418: Handles
419: Corners
420: Rubber Feet
421: Carpet & Glue
422: Grills
423: Outdoor Speakers
427: Plugs & Jacks
428: Wire By The Roll
429: Speaker Cables
430: Mic Cables
431: Audio Patch Cords
432: 120 Volt Extension Cords
460: Demo Products
Home
Warranty Information And Store Policies
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137: Cables (DMX & Analog)
Need Help? Call Us At 800 880-0883 . . Detailed info about DMX cables at bottom of this page.
Let's talk about DMX cables...
I recently received and email from a blog monitor that said... "There are MICROPHONE cables and there are DMX cables and one can NOT be used for the other". That's a very strong statement. Very "Black and White". Unfortunately, it's also very untrue. That statement would be like saying that Chevy's are for taking your kids to school and Ferrari's are for racing and one can not be used for the other. I have seen many people race Chevy's successfully and I have also seen a few Ferrari's in the school pick up lanes.
I don't know exactly why people make those black and white statements about DMX cables. Perhaps they merely lack real world experience in the field. If they had real world experience, they would know that there were companies like NSI making digitally controlled lighting boards and dimmer packs with signals carried thru 3 pin XLR cables long before the term DMX was ever heard of here in America. (NSI calls their proprietary signal MICROPLEX and they still use it today).
What do you think those digital signals were carried thru back before the late 90's when DMX was introduced to the commercial market here in America? MICROPHONE CABLES. That's all we had back then, that's what was used and that's what worked for years. Perhaps some cables marked "DMX Cable" might perform better than some cables marked "MICROPHONE Cable", but it can also be proven that some mid to high grade MIC cables work better than some DMX cables and if you and your audience can't tell the difference, who cares?
What does matter is which pins the wires are connected to on the 3 pin XLR plug. At High Energy Lighting (CheapLights.com), we currently buy "MIC" cables and "DMX" cables from over 22 different suppliers. Regardless of how they are marked, we test samples from each different "MIC" and "DMX" cable model to make sure they work in a DMX chain before we ever offer them to our customers.
Here's an interesting fact... In the ten to fifteen years that we have been selling cables for transmitting digital signals for light processors, we have never had any cables returned by customers saying they didn't work as a DMX cable, unless the cable actually had a physical defect, such as a wire not connected to the plug or a cut in the wire. That's a great statement to be able to make!
Here's a few more interesting facts...
1. "DMX" was created in 1986, but not widely used or known. At that time, the popular method for transmitting signal to dimmer packs was zero to ten volts.
2. "DMX" was revised in a major way and started gaining recognition in 1990. (But not in America).
3. The first DMX lighting controllers were displayed at the American LDI Lighting convention in 1999 by LitePuter.
4. "DMX" was introduced as the "Standard" digital signal for the World Wide lighting industry in 2000.
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